The Formation and Social Function of Popular Film Genres: A Ritualist View

Authors

  • Michael Schock Reed College

Keywords:

Cinema, genre, structuralism, Thomas Schatz, Rick Altman, sci-fi movie, narrative formuals

Abstract

This paper explains the form and social function of Hollywood genres according to the Ritual School of film theory. Ritualists contend that popular genres center upon currently-irreconcilable cultural contradictions or sources of anxiety. A genre’s physical conventions provide a lexicon of symbols and metaphors to continually explore such issues. This social element of genre is most evident in new genres formed during periods of drastic social change. To illustrate, this paper refers to the classic Western, the 1950s Sci-fi film, and the post-9/11 Superhero genre.

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Author Biography

Michael Schock, Reed College

Michael Schock graduated the Reed College MALS program in December 2019. He has studied and wrote on screencraft and film narrative theory for thirteen years, with a recent emphasis on the expression of socio-cultural ideologies through the structure of popular narratives. He currently teaches online courses on screenwriting through Portland Community College.

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Published

2022-01-06

Issue

Section

Articles