Fluxus, Feminism, and the 1960's

Authors

  • Andrea Terpenkas Simon Fraser University

Keywords:

Fluxus, Yoko Ono, Kate Millett, Shigeko Kubota, 1960's

Abstract

The 1960’s experienced an upheaval through social change within the Politico and Countercultural groups; however both movements largely ignored women’s issues. The Fluxus anti art movement of the time shared many of the philosophies of both the Counterculture and Politico movements yet was able to provide a supportive place for women within it as equals. The indiscriminate nature of Fluxus accepted artists from all over the globe, of all genders, races, and cultures; notably artists such as Alison Knowles, Shigeko Kubota, Meiko Shiomi, Carolee Schneeman, Yoko Ono, and Kate Millett. Through Fluxus performance that unavoidably found the female body at the centre, sometimes as a medium itself, these artists were able to present pieces that revealed various aspects of women’s oppression in society. In this way Fluxus was a necessary foundation for the feminist movement within the arts community. This also reveals the power that the arts contain as catalyst for social change.

 

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Author Biography

Andrea Terpenkas, Simon Fraser University

Andrea Terpenkas is currently an MA student in the Graduate Liberal Studies Program at Simon Fraser University. She is particularly motivated by the idea that creativity is a fundamental aspect of humanity that is not only essential for individuals and societies to live meaningful existences, but is a force that can be harnessed to create positive growth and social change.   She lives with her partner and cat in Burnaby BC. 

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Published

2017-12-19

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Section

Articles