Appropriate the Stereotype: Cultural Appropriations and the Queer, Lesbian, and Gay Spectatorships of Madonna and Martha Stewart

Authors

  • Samantha C. Thrift University of Calgary

Keywords:

gender representations in popular culture, Madonna, Martha Stewart, domestic fecundity, feminine stereotypes

Abstract

What do Madonna and Martha Stewart have in common? Outward appearances indicate that they are antithetical paradigms of femininity. Madonna relies upon woman-as-sexual-object (or ââ¬Åwhoreââ¬Â) stereotype to engender her success. Stewart dons the mantle of the Angel of the House to propagate a lifestyle founded on domestic fecundity. The similarity between the two lies therein. Both women ââ¬Åtouch upon cultural hot buttonsââ¬Â (Lippert 28) through their appropriation (and apparent perpetuation) of feminine stereotypes in their quest for cultural popularity and capital gain. That queer audiences identify with both these seemingly polar figures lends us an opportunity to compare how these (pretty much) mainstream women cultivate (or have been cultivated by) an audience - untapped market - that remains Othered by dominant media. The following analysis will evince how issues of appropriation complicate the gay communitiesââ¬â¢ acceptance of Madonna and Martha Stewart. For instance, throughout Madonnaââ¬â¢s career, she has appropriated elements of queer culture in numerous projects, such as ââ¬ÅVogueââ¬Â and ââ¬ÅJustify My Love.ââ¬Â Consequently, two camps of queer theorists debate the ââ¬Åappropriatenessââ¬Â of Madonnaââ¬â¢s appropriation. Some critics resist her images while others welcome the higher profile she creates for the gay community. Obviously, Martha Stewartââ¬â¢s relationship with the gay community is constructed differently: a queer audience has appropriated Stewart for its own ends. She represents an Other figure who reinvents institutions, such as the ââ¬Åfamilyââ¬Â and certain special occasions. Ultimately, however, in whatever ways the queer community chooses to identify with Madonna and Martha Stewart, it matters little to these popular culture icons. While the women defy easy categorization, they may be understood as superficially divergent cultural icons, pursuing a common goal: sovereign control over career, personal life and capital gain.

Author Biography

Samantha C. Thrift, University of Calgary

Currently, I am enrolled in the Masters of Arts program in the department of Communication and Culture at the University of Calgary at Calgary, Alberta. My research interests include gender representations in popular culture, various types of feminism, and the influence of new technologies on the social sphere ââ¬" especially as these are problematized by recent trends of conservatism in North American culture.

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