POPE, A. Musical Artists Capitalizing on Hybrid Identities: A Case Study of Drake the "Authentic" "Black" "Canadian" "Rapper". Stream: Interdisciplinary Journal of Communication, [S. l.], v. 8, n. 2, p. 3–22, 2016. DOI: 10.21810/strm.v8i2.199. Disponível em: https://journals.sfu.ca/stream/index.php/stream/article/view/199. Acesso em: 28 mar. 2024.