The Need for Academic Integrity in Mass Media: A Perspective from Nautical Archaeology in The Bahamas

Authors

DOI:

https://doi.org/10.15362/ijbs.v27i0.387

Keywords:

Filmmaking, Academic Integrity, Media Media

Abstract

The Bahamas has a rich history with nautical archaeology, even if the academic discipline of nautical archaeology is largely unfamiliar to Bahamians. Season 2 of Cooper’s Treasure, a documentary television series released and distributed by Discovery Channel, follows Darrell Miklos and his crew around The Bahamas searching for shipwrecks. Unfortunately, treasure hunting is still a common problem in The Bahamas; piracy is not relegated to the past. Illegal looting and damage constitute a serious threat to the country’s underwater cultural heritage. Accordingly, this study contributes to this discussion by conducting a critical analysis of two television docu-series, Treasure Quest and Cooper’s Treasure and media discussions surrounding nautical archaeology and treasure hunting in The Bahamas. The study finds that media discussions in The Bahamas incorrectly interpret treasure hunting to be part of nautical archaeology. Furthermore, there is a widespread feeling in The Bahamas that treasure hunting is necessary.

Author Biography

Abigail Darville, University of Southampton

Masters Graduate Center for Maritime Archaeology

References

American arrested after being suspected of looted sunken Spanish galleon in The Bahamas. (2011, February 26). Bahamas Press. https://bahamaspress.com/american-arrested-after-being-suspected-of-looting-sunken-spanish-galleon-in-bahamas/

Antiquities, Monuments and Museum (Amendment) Act (2011) Bahamas (No. 63). http://laws.bahamas.gov.bs/cms/images/LEGISLATION/AMENDING/2011/2011-0063/AntiquitiesMonumentsandMuseumAmendmentAct2011.pdf

Antiquities, Monuments and Museum (Underwater Cultural Heritage) Regulations (2012) Bahamas (No. 23). http://laws.bahamas.gov.bs/cms/images/LEGISLATION/SUBORDINATE/2012/2012-0023/AntiquitiesMonumentsandMuseumUnderwaterCulturalHeritageRegulations2012_1.pdf

Fagan, G. G. (2006). Archaeological fantasies: How pseudoarchaeology misrepresents the past and misleads the public. Routledge.

Fishman, T. (2014). The fundamental values of academic integrity. International Center for Academic Integrity. https://academicintegrity.org/wp-content/uploads/2017/12/Fundamental-Values-2014.pdf

Frank, D., Falve, J., Mark, A., Lott, P., Henshaw, J., & Goldman, J. (Producers.). (2017). Cooper’s treasure. Discovery Channel.

Garder, W. (Producer.). (2009). Treasure Quest. Discovery Channel.

Gately, I. & Benjamin, J. (2017). Archaeology hijacked: Addressing the historical misappropriations of maritime and underwater archaeology, Journal of Maritime Archaeology, 13, 15–35. https://doi.org/10.1007/s11457-017-9177-8

Govt seeking to cash in on shipwrecks. (2011, March 29). Nassau Guardian. https://www.bahamaslocal.com/newsitem/18593/Govt_seeking_to_cash_in_on_shipwrecks.html

Halls, J. L. (2007). The fig and the spade: Countering the deceptions of treasure hunters. Archaeology Institute of America. https://www.archaeological.org/pdfs/archaeologywatch/figandspade.pdf

Hartnell, N. (2009, February 23). No ‘open doors’ for $8bn-$10bn industry. The Tribune. http://www.tribune242.com/news/2009/feb/23/no-open-doors-for-8bn-10bn-industry/

Hartnell, N. (2013a, March 8). Treasure salvaging can ‘wipe out national debt.’ The Tribune. http://www.tribune242.com/news/2013/mar/08/treasure-salvaging-can-wipe-out-national-debt/

Hartnell, N. (2013b, March 15) PM embarking on treasure ‘Odyssey’. The Tribune. http://www.tribune242.com/news/2013/mar/15/pm-embarking-on-treasure-odyssey/

Hartnell, N. (2013c, June 25). Wreck salvage ‘disillusion’ on year-long approval delay. The Tribune. http://www.tribune242.com/news/2013/jun/25/wreck-salvage-disillusion-on-year-long-approval/

Hartnell, N. (2014, March 18). Wreck salvage fuming on 2-year licence delay. The Tribune. http://www.tribune242.com/news/2014/mar/18/wreck-salvagers-fuming-on-2-year-licence-delay/

Hill, A. (2007). Restyling factual TV: Audiences and news, documentary and reality genres. Routledge.

McKenzie, N. (2014, April 9). Treasure salvage licence hopes are ‘wrecked.’ The Tribune. http://www.tribune242.com/news/2014/apr/09/treasure-salvage-licence-hopes-are-wrecked/

Miles, K. (2018). Cooper’s Treasure and the gray area of wreck hunting. https://www.outsideonline.com/2319386/reality-tv-enters-gray-area-shipwreck-hunting

Nutley, D. (2008). Submerged cultural sites: Opening a time capsule. Museum International, 60(4), 7-17. https://unesdoc.unesco.org/ark:/48223/pf0000181554

Parker, E. (2016). The proliferation of pseudoarchaeology through ‘reality’ television programming. In J. J. Card & D. S. Anderson (Eds.), Lost city, found pyramid: Understanding alternative archaeologies and pseudoscientific practices. University of Alabama Press. https://www.academia.edu/27505670/The_Proliferation_of_Pseudoarchaeology_through_Reality_Television_Programming

Permission to collect gold out of Bahamian waters? Does the Minnis cabinet know about this? (2018, April 30). Bahamas Press. https://bahamaspress.com/permission-to-collect-gold-out-of-bahamian-waters-does-the-minnis-cabinet-know-about-this/

Pridmore, R. (2007). The representation of archaeology in the media during the 20th and 21st century, and the impact it has had on the field of archaeology [Unpublished undergraduate thesis]. University of Winchester. https://www.academia.edu/11993061/THE_REPRESENTATION_OF_ARCHAEOLOGY_IN_THE_MEDIA_DURING_THE_20TH_AND_21ST_CENTURY_AND_THE_IMPACT_IT_HAS_HAD_ON_THE_FIELD_OF_ARCHAEOLOGY

Rogers, K. E. (2019). Off the record: Archaeology and documentary filmmaking [Unpublished doctoral dissertation]. University of Southampton. http://eprints.soton.ac.uk/id/eprint/437261

Schwarzmann, D., Knapp, L., Ondatje, C., & Tagliareni, M. (2020). Market economic contributions of recreating users of the Great Lakes Maritime Heritage Center and Alpena Shipwreck Tours in Thunder Bay National Marine Sanctuaries. U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration Office of National Marine Sanctuaries. https://webauth.soton.ac.uk/idp/profile/SAML2/Redirect/SSO?execution=e1s1&_eventId_proceed=1

Schwindt, O. (2017). Independent studio AMPLE bets on the authenticity of uncertainty with Cooper’s Treasure for Discovery. Variety. https://variety.com/2017/tv/news/coopers-treasure-discovery-ample-darrell-miklos-1202011043/

Sperry, J. A. (2008). Giant strides in documentaries, ‘ascents’ in archaeology: Nautical archaeology’s relationship with and place within popular culture. International Journal of Nautical Archaeology, 37(2), 335–346. https://doi.org/10.1111/j.1095-9270.2008.00184.x

Turnquest, A. (2018, July 23). Discovery Channel treasure hunters had permits to film and research only. The Tribune. http://www.tribune242.com/news/2018/jul/23/discovery-channel-treasure-hunters-had-permits-fil/

UNESCO. (2001). Convention on the protection of underwater cultural heritage. http://www.unesco.org/new/en/culture/themes/underwater-cultural-heritage/2001-convention/official-text/

Villega Zamora, T. (2008). The impact of commercial exploitation on the preservation of underwater cultural heritage, Museum International, 60(4), 31-41. https://unesdoc.unesco.org/ark:/48223/pf000018155

Zorich, Z. (2009) Television: Finding treasure and losing history, Archaeological Institute of America, 62(2). https://archive.archaeology.org/0903/trenches/odyssey.htm

Downloads

Published

2021-10-29

Issue

Section

Original Articles