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The Book as Computer: A Numerical and Topological Analysis of Only Revolutions


 
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1. Title Title of document The Book as Computer: A Numerical and Topological Analysis of Only Revolutions
 
2. Creator Author's name, affiliation, country Manuel Portela; University of Coimbra; Portugal
 
3. Subject Discipline(s) Literary Studies; Book Art
 
3. Subject Keyword(s) Experimental Novel; Typographical Poem; Bibliographic Codes
 
4. Description Abstract The novel Only Revolutions: The Democracy of Two Set Out & Chronologically Arranged (2006), by Mark Z. Danielewski, establishes a relationship between its bibliographic coding (i.e., its graphical and material form as a book made of letters, pages and openings with a specific typographic design), its linguistic coding (i.e., its phonetic, syntactic, semantic, and pragmatic form), and its narrative coding (i.e., its form as story). Only Revolutions uses the Möbius strip and the circle, in their multiple material and symbolic manifestations – including letter and number shapes – as the organizing principle of this triple universe of signs. Circularity and mirror symmetry function simultaneously as the structure of the book, the structure of language, and the structure of narrative. This article describes the book’s numerical and topological form as a mechanism for creating feedback loops between those structures.
 
5. Publisher Organizing agency, location College Book Art Association
 
6. Contributor Sponsor(s)
 
7. Date (YYYY-MM-DD) 2012-12-13
 
8. Type Status & genre Peer-reviewed Article
 
8. Type Type Visual Analysis; Theoretical Discussion
 
9. Format File format PDF, Video
 
10. Identifier Uniform Resource Identifier https://journals.sfu.ca:443/cbaa/index.php/jcbaa/article/view/3
 
11. Source Title; vol., no. (year) Openings: Studies in Book Art; Vol 1, No 1 (2012)
 
12. Language English=en en
 
13. Relation Supp. Files Only Revolutions Flip Book (2MB)
 
14. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
15. Rights Copyright and permissions Copyright (c)