| Special Section on Archives and Photography |
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Sarah Stacy |
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| The Colonial Legacies of the Digital Archive: The Arnold Lupson Photographic Collection |
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James Opp |
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| Mirror Images: The Novosti Press Agency Photograph Collection |
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Abstract
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Jennifer Anderson |
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| From Album to Archive: Context, Meaning, and Two Photographic Albums from an India Mission |
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Abstract
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Sharon Murray |
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| Relocating the Vernacular: The Yves Beauregard Collection at the Musée national des beaux-arts du Québec |
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Zoë Tousignant |
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| An Inconvenient Truth? Scientific Photography and Archival Ambivalence |
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Abstract
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Jill Delaney |
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| Exhibition Review: VANCOUVER ART GALLERY, Fred Herzog: Vancouver Photographs |
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Jessica Bushey |
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| The Legalization of Photography of Canadian Prisoners |
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Abstract
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Sarah Stacy |
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| He Shoots, He Stores: New Photographic Practice in the Digital Age |
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Abstract
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Jessica Bushey |
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| Art and Digital Records: Paradoxes and Problems of Preservation |
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Abstract
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John Roeder |
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| All Singing, All Talking, All Digital: Media Windows and Archiving Practice in the Motion Picture Studios |
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Abstract
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Randal Luckow, James M. Turner |
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| ROBERT HARIMAN and JOHN LOUIS LUCAITES, No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy |
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Erin Coulter |
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| MARTHA LANGFORD (ed.), Image & Imagination |
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Bronwen Quarry |
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| AGNES ETHERINGTON ART CENTRE, Isabel McLaughlin (1903-2002): Painter, Patron, Philanthropist |
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Rodney G.S. Carter |
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| Advice to Authors / Avis aux auteurs |
English
Français
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| Archives - Contents of Volume 38 |
Issue 2
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| Archives - Contents of Volume 39 |
Issue 1
Issue 2
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